Tag Archives: underground blues

Best Laid Part II

Brief update: there will be something of a flurry of Channel Nowhere activity over the next couple of weeks, so you can look forward (or not) to the release of the remastered Pennies On My Eyes on March 11th and a couple of gig announcements for both The Craig Hughes Two and Dog Moon Howl.  Promos will go out for Pennies just prior to the release date and a lyric video for new track No-One Cares If You Die will be up soon on YouTube.

Told you it was brief.

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Best laid.

So, 2016 currently looks like this:

My newish album Pennies On My Eyes is due to be released at the end of February.  A completely new “solo” album is planned for the end of year.  Other than that …

The Craig Hughes Two

We kicked off 2016 with a Glasgow gig at The Howlin’ Wolf earlier this month.  We’re looking at recording an EP for release later in the year and hopefully a lot more live work.

Dog Moon Howl

We’re fresh from our first rehearsal of the year which turned into more of a songwriting session.  The new stuff’s sounding promising, lots of AC/DC, Rush and Sabbath nods.  We’re working up some covers as well.  We’re planning on releasing two EPs in 2016, mid-year and end-of-year respectively.

The blogs

Tapes For My Walkman and Tapes For My VCR continue to keep it analogue with a piece on Lemmy, Motörhead and No Sleep ’til Hammersmith HERE and one on Bowie’s Love You Till Tuesday HERE (I hadn’t noticed until just now that both of these “tribute” choices feature the word “till”.  Or that Motörhead had misspelled it) and updates will be more frequent from February onwards.  This here Channel Nowhere blog will also be updated a lot more regularly, largely because of the amount of stuff going on with the label etc.

Other projects

I’ve got my work cut out with the completion of at least one large scale writing project and a documentary thingmy in the planning stages.  There could potentially be a couple of other releases on Channel Nowhere throughout the year.  Watch this space.


Pennies, Dog Moon Howl, Jim Dead and blogs and that.

So, Pennies On My Eyes will now be released at the end of February 2016.  The audio work’s all done but there was just no way to have the whole thing ready to go by the end of November – as originally planned – and there’s not much point in putting this kind of release out mid-December (or January for that matter).  So, February it is.  As ever, watch this space.

In what’s shaping up to be my last live outing of the year, I’m playing with Dog Moon Howl at The 13th Note, Glasgow, this Friday (4th) with Jim Dead & The Doubters in celebration of the release of their new album Pray For Rain.  I’ve heard it (I did the mastering, come to think of it) and do you know, it’s really rather good. Come along on the night and you’ll get a copy of the CD as part of your £5 entry fee.

Meanwhile, the writing practice continues. Tapes For My Walkman has recently been updated with a look at ZZ Top’s Tres Hombres (HERE) and Tapes For My VCR has just been updated with a review of ’90s bikers-and-explosions flick Stone Cold (HERE).  Please do feel free to give them a look.

 


Switchback No More

When I went full-time with this music malarkey, some six years ago now, I released an EP, not much more than a demo, called Broke, Lonely and Guilty.  Much to my surprise, it got a wee bit of attention – a couple of reviews, some local radio airplay and the likes.  This led (after, I believe, a good word being put in by The Dirt) to my being invited on to a local community radio station for my first ever interview/live-on-air session.  The station was Sunny Govan FM and the show was The Switchback, presented by Paul Clarkson.

Picture me, in a black cab, guitar by my side.  “You playing tonight?”  asks the driver.  It’s a night-time session and it’s already dark, the show starting at 10pm.  I’m running late.

“Aye, I’m on the radio,” says I, with no small measure of pride.  The driver is suitably impressed and, armed with the address (which I have written on my hand), he heads confidently Govan-wards.  However, once in the general vicinity, we drive around in circles for what seems like forever.  We are drawn to a couple of porta-cabins.  We pass them a few times, both of us certain that can’t be the place. “There should be some kind of big aerial mast” the driver says, and we duly crane our necks in every direction. Eventually, the driver gets out and asks for directions at one of the cabins.  He comes back to the cab shrugging his shoulders.  “Aye, this is it,” he says. “Just asked the guy – the aerial’s up the high flats.”

And so began the first of several nights I spent at Sunny Govan, which eventually moved to its current comparatively palatial headquarters in an actual building.  There was a greater element of washing mugs and making coffee than I’d entirely expected and Paul was a good guy (there are many good folks in the grass-roots music scenes but a fair few fannies as well) so I was put at ease straight away.  The end result was a relaxed session, the recording of which I released as a limited edition promo EP for the launch night of my first album a year or so later.  I’ve experienced a few other community radio setups since and Paul, despite his propensity for modesty in this regard, has a knack for getting a decent sound from the room using just a single mic – in sharp contrast to some of those others.

The Switchback was a great supporter of the Scottish and international grassroots americana/country/blues/folk scenes.  Pretty much the entire regular live roster of the old That Devil Music night I used to run and very many more all played sessions and received airplay there.  Paul played tracks from, I think, every release I’ve put out over this past five years as well as the work I’ve done with Jim Dead.  Where other early local media support had dried up, The Switchback was one of the main sources of airplay of my most recent album, Losers and Bastards, and it was much appreciated.

Inevitably, geography and real life took their toll and in the spirit of all good things coming to an end, The Switchback aired its last show on May 15th.  It was a good one, with much in the way of anecdotal reminiscence from Mr. Clarkson.  Some kind words about me there too, and an airing for a cool old session version of The TR7s Have All Gone To Heaven.  This post is really just intended as a wee “thank you” to Paul Clarkson whilst wishing him all the best for the future – your efforts on the show were always appreciated man and the grassroots scene will be poorer without your input.

Here’s the link to an MP3 of the final Switchback show – more than worth your time, trust me (I’m a guitarist).


This and that.

Been a while, so here’s an update:

Recorded the Dog Moon Howl album in January at The Boathouse in Alloa, started mixing it and then came down with the mother of all eye infections which was supposed to clear up in a fortnight but went on for over two months, becoming increasingly debilitating due to seriously affecting my vision.  Seems to have left me with some permanent problems in that regard, too.  Oh well.

Anyway, had to cancel gigs and the likes but since then have played a solo set at The Vagabond Social Club in Glasgow and a duo set at Record Store Day in Stirling (@ Europa Music), both of which went down rather well thank you very much.  Finished the mixes on the DMH album, getting the masters completed just now, and starting work on the cover art to boot.  Looking at a June release.

Actively booking for the band, the duo and myself so more live dates to be confirmed soon.  Playing (solo) @ Slouch, Glasgow on Wednesday.  Getting into a whole guitar design/business thing as well, Zentone Guitars, more news as-and-when.

Right, that’s your lot.  Blogging, eh?  Fucking doddle.


Dog Moon Howl update (and a live Craig Hughes Two video).

Work on Dog Moon Howl’s first album is in the mixing stages.  Currently sitting at nine tracks, produced by Alec Pollock of Chasar at his studio in Alloa, it threatens to be rather good.  Release and promotion details will start to get hammered into shape in the next few weeks (current thinking is a May release but that’s far from set in stone) – in the meantime, we have a gig on the books for Saturday, March 22nd with Glitterball Vegas and Traquair at The 13th Note in Glasgow.

I’m currently hitting up festivals and the likes for bookings (solo/duo and DMH) and the first solo booking of the year is for Foakies @ The Royal Oak in Edinburgh on June 2nd. Tying all this together, here’s a video of me and Ally Tennick (DMH drummist) playing as The Craig Hughes Two late last year, from the smartphone of Bryan Campbell (DMH basser).


Winter News Round-up

So, my Mail manager-thingmy isn’t letting me send Newslist emails out anymore.  Fuckity-fuck-fuck-fuck.

Anyway, here’s the main body of what should have been this winter’s newsletter…

The Blues Magazine #10

There’s a full-page interview with me in #10 of Classic Rock Presents: The Blues Magazine and there’s also a great review of the new album in there.  Available now from WH Smiths etc., or order online.

Reaction to the new album

Reviews and reactions to Losers and Bastards are coming in and I’m pleased to say that so far they’ve been overwhelmingly positive.

“A diamond in the rough, with a poet’s soul.”

            The Blues Magazine (UK)

“It’s bloody brilliant.  Not just Hughes’ best, but one of 2013’s.”

            Resurrection Songs (UK)

His lyrics too are a mix of despair and grim humour and on a couple of the songs here he proves himself to be a great chronicler of Glasgow life with one of the songs, Future After All, reading as if it was an excerpt from a James Kelman story.”

            Blabber’n’Smoke (UK)

“…one of the most honest blues albums of 2013, leaving no doubt as to why Craig Hughes has often been compared to some of the past greats including Blind Willie Johnson.”

            Blues Underground Network (Canada)

And check out Charlie Bear’s video review of the album on her first Vlog, which also features some exclusive live footage.

The album entered the Blues Underground Network’s UK/Europe/Australia Top 10 Blues/Blues Rock Chart at No.1 and stayed there for four weeks running! Which brings me, slightly smugly, to some end-of-year charts/critic’s lists:

Blues Underground Network’s Year End Review – Best UK Blues Album : Losers and Bastards

Blues Underground Network’s Top Ten International Blues/Blues Rock Albums – #3: Losers and Bastards

The Third Class Ticket’s Festive 60 – #33: A Strongman and an Acrobat

Resurrection Songs’ Top 10 of 2013 – #5: Losers and Bastards

If you’ve yet to get a copy of the album or fancy giving one as a belated Xmas present (cheapskate!) please do check out my Bandcamp store for CDs and downloads – or download only via CD Baby, Amazon, iTunes and all that good stuff.

The Craig Hughes Two

The final few of 2013’s gigs were good ones.  I had a busy night in Slouch playing on a bill with the splendid Estonian/English trio of Andres Roots/Steve Lury/Peter Piik and last month’s “Craig Hughes Two” debut at the Vagabond Social Club with Ally Tennick from Dog Moon Howl on percussion went down a storm.  Look!  A picture!!

CH204

Dog Moon Howl

Talking of Dog Moon Howl, it’s been a quiet year on the band front for various reasons but we played our first gig in months at Pivo Pivo, Glasgow in November and it was a great night.  We were at Pivo again in December for our last gig of the year (another good one, a very different set to the previous month’s) and are preparing to record our first album in January 2014.  Which, come to think of it, is really soon.

New videos

There’s a video for the album track Everybody’s Got to Cheat and Lie Sometimes, culled from live footage taken by Dog Moon Howl’s Bryan Campbell available for your viewing pleasure HERE.

Also, a live performance of album track Beans and Bread from that Craig Hughes Two debut gig can be found HERE.

Tungstone Guitars

I recently had a meeting with Jordan Campbell of new guitar business Tungstone Guitars.  Something exciting is in the off – watch this space for updates.  In the meantime, Tungstone are just starting up and they have a new Facebook page so if you’re a Facebook sort of a person check them out and give them a “like” and/or follow them on Twitter.

Plans for 2014

Next year is going to be busy on both the live and recording fronts.  I’ll be continuing to play solo gigs but the live focus for my blues/roots stuff will be on the duo with Ally.  Dog Moon Howl will also be stepping up the live work on the release of our first album as mentioned above.  There are a couple of other projects in the offing which will likely happen in the second half of the year – more on those as and when.

So, that’s it for the time being.  Please do keep checking the website for updates, “like” the Facebook page and check out the YouTube channel as there’ll be a lot more content added there over the next wee while.