Tag Archives: stoner rock

Dog Moon Howl E.P. preview

Work continues on the upcoming releases.  Here’s a preview of the new Dog Moon Howl E.P. These Days in the shape of a lo-fi video (knocked together out of some under-exposed rehearsal footage) for the title track. The tune itself is perhaps a bit of departure for the band but I believe we’re all seriously pleased with it.  I know I am.

Enjoy!

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Like a Great, Wheezing, Lazarus. Only More So and with a Heroic Beard.

Just as the year started kicking off work-wise, I was stricken with the flu. Highlights included four solid days of migraines and a false dawn a couple of days ago whereupon I delivered a guitar for sale to the city centre and just about ended myself.  Symptoms have now died down to a mere wracking cough and occasional back wrenching sneeze, so it’s back to business.

I’m happy to tell you that the new Dog Moon Howl EP is called These Days and will be released (CD/download) during the month of March, which this year follows hot on the heels of February.  The actual date is not yet set, but we’re planning an end-of-the-month launch gig in Glasgow, so, you know, expect it around the end of the month.  Ish.  More news on this soon, including a teaser track to be brought to you via the magic of YouTube.

Once that’s all sorted, The Craig Hughes Two will be releasing our mini-album, Off the Cuff, culled from a live-in-the-studio session we recorded late last year.  With a running time just shy of a half hour, the tracks are a mixture of live regulars from m’back catalogue, now performed with significantly different duo-arrangements, and a couple of cover versions.  We’re just waiting to get the licensing sorted out for the covers so we can decide on a release date – it will be available on CD and download; tape release TBC.  A further update will follow once everything’s in place.

Things to have fallen significantly behind during this past near-fortnight of influenza induced inertia include blog updates and gig bookings, so I’ll be on those again properly as of later today.  Expect some updates over at Ritual Objects of Sight and Sound and to the gig pages of www.craighughes.net and www.dogmoonhowl.com presently.


Best Laid Part II

Brief update: there will be something of a flurry of Channel Nowhere activity over the next couple of weeks, so you can look forward (or not) to the release of the remastered Pennies On My Eyes on March 11th and a couple of gig announcements for both The Craig Hughes Two and Dog Moon Howl.  Promos will go out for Pennies just prior to the release date and a lyric video for new track No-One Cares If You Die will be up soon on YouTube.

Told you it was brief.


Best laid.

So, 2016 currently looks like this:

My newish album Pennies On My Eyes is due to be released at the end of February.  A completely new “solo” album is planned for the end of year.  Other than that …

The Craig Hughes Two

We kicked off 2016 with a Glasgow gig at The Howlin’ Wolf earlier this month.  We’re looking at recording an EP for release later in the year and hopefully a lot more live work.

Dog Moon Howl

We’re fresh from our first rehearsal of the year which turned into more of a songwriting session.  The new stuff’s sounding promising, lots of AC/DC, Rush and Sabbath nods.  We’re working up some covers as well.  We’re planning on releasing two EPs in 2016, mid-year and end-of-year respectively.

The blogs

Tapes For My Walkman and Tapes For My VCR continue to keep it analogue with a piece on Lemmy, Motörhead and No Sleep ’til Hammersmith HERE and one on Bowie’s Love You Till Tuesday HERE (I hadn’t noticed until just now that both of these “tribute” choices feature the word “till”.  Or that Motörhead had misspelled it) and updates will be more frequent from February onwards.  This here Channel Nowhere blog will also be updated a lot more regularly, largely because of the amount of stuff going on with the label etc.

Other projects

I’ve got my work cut out with the completion of at least one large scale writing project and a documentary thingmy in the planning stages.  There could potentially be a couple of other releases on Channel Nowhere throughout the year.  Watch this space.


Jim Dead Pray For Rain album launch. 13th Note, Glasgow. 4th December 2015

Dog Moon Howl had the pleasure of playing at Jim Dead & The Doubters’ album launch a couple of Fridays ago.  Despite technical problems with guitar effects and unusually crappy onstage sound for The 13th Note, our set went down a treat, Jim and co. played a blinder and a good time was had by all. Thanks to Paul Kerr at Blabber’n’Smoke for posting this splendid review …

Blabber 'n' Smoke

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When Blabber’n’Smoke reviewed Jim Dead‘s new album  Pray For Rain  a few weeks ago we called him a “shamanistic weatherman.” We was only joking, honestly, but of course the album launch took place on one of the filthiest nights of the year, gale force winds blowing horizontal sheets of rain that numbed your cranial nerves. Think his next album should be called “Here Comes The Heatwave.” Anyhoo (as Mr. Dead likes to say) a grand crowd donned appropriate gear and headed to the basement of the 13th Note, attracted perhaps by the prospect of seeing three fine bands and getting a copy of the new disc all for the princely sum of a fiver, one bright spot on such a dreicht nicht.

The bloody weather actually meant your intrepid reviewer missed the opening act, Traquair & the Tranquilizers although verbal reports from the early birds were all positive. We…

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Dog Moon Howl – Jam #1

Dog Moon Howl has been working on new material of late and taken to bouts of random jamming.  I recently bought a Zoom H2N field recorder for an upcoming documentary project and thought I’d try it out at rehearsal.  Sounds pretty damn good, I reckon.  Anyway, if you’ve a spare ten minutes, click on the soundcloud player below for a warts-and-all performance of the Campbell/Hughes/Tennick on-the-spot composition Jam #1.  Those of you with an aversion to extended space-blues jams may want to move along.  Nothing to see here.


Dog Moon Howl: The Story So Far

I’ve been meaning to write a post on Dog Moon Howl for a long time now and although various snippets have made it into my WordPress ramblings I’ve never quite gotten round to it.  So, here’s a potted history of the band.

Dog Moon Howl was formed in late 2011.  I’d been trying to put together a heavy psych/stoner rock type band for a while when my old mucker Bryan, who’d been living in Ireland, moved back to sunny Scotland.  Bryan also wanted to put a band together, would I be up for it, aye.  We’d been kinda-sorta in three bands together in the 90s, most conspicuously a three piece called Smotherparty.  We advertised for a drummer with an ad quoting a comprehensive list of influences including – but not limited to – Black Sabbath, The Groundhogs, Jimi Hendrix, Led Zeppelin, ZZ Top, Funkadelic, SAHB, Primus, Blue Cheer, Thin Lizzy, Soundgarden, Status Quo, Motorhead, RHCP, The Cult, Rush, Kyuss, AC/DC, King Crimson, Queen and Hawkwind.  Who should express an interest other than Smotherparty’s old drummist, Ally, who we hadn’t seen since that band split and who was now living in Edinburgh.

Sorted.  Ally on drums, Bryan on bass/co-lead vocal, me on guitar/co-lead vocal.

We rehearsed a fair old bit, played our first gig at the end of 2011 and a few more throughout 2012 and 2013.  Somewhere in there we released a demo EP called Strip-Lit Hell, produced by Tommy Duffin of Headless Kross at 16 Ohm in Glasgow.  Much to our surprise, the EP picked up great reviews online.

Some of you reading this will have arrived at the blog via my music which you’ll therefore know to be rootsy alt.blues.  Mostly acoustic slide guitar, the rockier moments gnarly and loose, soloing kept in check where it happens at all, mostly song-based stuff.  The occasional banjo.  Well, Dog Moon Howl is largely the opposite of all that.  As a band we all get different things out of it, of course, but for me it’s more-often-than-not an excuse to crank up the electric and have at it.  Very much a lead guitar-based, heavy rock approach with long songs allowing plenty of scope for extended soloing and the likes.  So, you know.  Be warned.

Early this year, we decamped to Alloa to record our first full-length with Alec Pollock of Chasar co-producing at his studio, The Boathouse.  Delays in post-production, combined with/partly due to my coming down with a debilitating eye-infection, left us largely out of action until the album’s launch at the end of June, since when we’ve been playing around and about to promote it.  Again, we’ve picked up some great reviews for the album.

So that’s you about up-to-date.  If you want more information on the band check out www.dogmoonhowl.com or better yet, buy the CD here.  There’ll be a blog about the band’s plans for 2015 coming soon – in the meantime here’s the first video from the album, Blues Like a Hammer.