Tag Archives: heavy rock

Dog Moon Howl E.P. preview

Work continues on the upcoming releases.  Here’s a preview of the new Dog Moon Howl E.P. These Days in the shape of a lo-fi video (knocked together out of some under-exposed rehearsal footage) for the title track. The tune itself is perhaps a bit of departure for the band but I believe we’re all seriously pleased with it.  I know I am.

Enjoy!


Like a Great, Wheezing, Lazarus. Only More So and with a Heroic Beard.

Just as the year started kicking off work-wise, I was stricken with the flu. Highlights included four solid days of migraines and a false dawn a couple of days ago whereupon I delivered a guitar for sale to the city centre and just about ended myself.  Symptoms have now died down to a mere wracking cough and occasional back wrenching sneeze, so it’s back to business.

I’m happy to tell you that the new Dog Moon Howl EP is called These Days and will be released (CD/download) during the month of March, which this year follows hot on the heels of February.  The actual date is not yet set, but we’re planning an end-of-the-month launch gig in Glasgow, so, you know, expect it around the end of the month.  Ish.  More news on this soon, including a teaser track to be brought to you via the magic of YouTube.

Once that’s all sorted, The Craig Hughes Two will be releasing our mini-album, Off the Cuff, culled from a live-in-the-studio session we recorded late last year.  With a running time just shy of a half hour, the tracks are a mixture of live regulars from m’back catalogue, now performed with significantly different duo-arrangements, and a couple of cover versions.  We’re just waiting to get the licensing sorted out for the covers so we can decide on a release date – it will be available on CD and download; tape release TBC.  A further update will follow once everything’s in place.

Things to have fallen significantly behind during this past near-fortnight of influenza induced inertia include blog updates and gig bookings, so I’ll be on those again properly as of later today.  Expect some updates over at Ritual Objects of Sight and Sound and to the gig pages of www.craighughes.net and www.dogmoonhowl.com presently.


Dog Moon Howl – Jam #1

Dog Moon Howl has been working on new material of late and taken to bouts of random jamming.  I recently bought a Zoom H2N field recorder for an upcoming documentary project and thought I’d try it out at rehearsal.  Sounds pretty damn good, I reckon.  Anyway, if you’ve a spare ten minutes, click on the soundcloud player below for a warts-and-all performance of the Campbell/Hughes/Tennick on-the-spot composition Jam #1.  Those of you with an aversion to extended space-blues jams may want to move along.  Nothing to see here.


Dog Moon Howl: The Story So Far

I’ve been meaning to write a post on Dog Moon Howl for a long time now and although various snippets have made it into my WordPress ramblings I’ve never quite gotten round to it.  So, here’s a potted history of the band.

Dog Moon Howl was formed in late 2011.  I’d been trying to put together a heavy psych/stoner rock type band for a while when my old mucker Bryan, who’d been living in Ireland, moved back to sunny Scotland.  Bryan also wanted to put a band together, would I be up for it, aye.  We’d been kinda-sorta in three bands together in the 90s, most conspicuously a three piece called Smotherparty.  We advertised for a drummer with an ad quoting a comprehensive list of influences including – but not limited to – Black Sabbath, The Groundhogs, Jimi Hendrix, Led Zeppelin, ZZ Top, Funkadelic, SAHB, Primus, Blue Cheer, Thin Lizzy, Soundgarden, Status Quo, Motorhead, RHCP, The Cult, Rush, Kyuss, AC/DC, King Crimson, Queen and Hawkwind.  Who should express an interest other than Smotherparty’s old drummist, Ally, who we hadn’t seen since that band split and who was now living in Edinburgh.

Sorted.  Ally on drums, Bryan on bass/co-lead vocal, me on guitar/co-lead vocal.

We rehearsed a fair old bit, played our first gig at the end of 2011 and a few more throughout 2012 and 2013.  Somewhere in there we released a demo EP called Strip-Lit Hell, produced by Tommy Duffin of Headless Kross at 16 Ohm in Glasgow.  Much to our surprise, the EP picked up great reviews online.

Some of you reading this will have arrived at the blog via my music which you’ll therefore know to be rootsy alt.blues.  Mostly acoustic slide guitar, the rockier moments gnarly and loose, soloing kept in check where it happens at all, mostly song-based stuff.  The occasional banjo.  Well, Dog Moon Howl is largely the opposite of all that.  As a band we all get different things out of it, of course, but for me it’s more-often-than-not an excuse to crank up the electric and have at it.  Very much a lead guitar-based, heavy rock approach with long songs allowing plenty of scope for extended soloing and the likes.  So, you know.  Be warned.

Early this year, we decamped to Alloa to record our first full-length with Alec Pollock of Chasar co-producing at his studio, The Boathouse.  Delays in post-production, combined with/partly due to my coming down with a debilitating eye-infection, left us largely out of action until the album’s launch at the end of June, since when we’ve been playing around and about to promote it.  Again, we’ve picked up some great reviews for the album.

So that’s you about up-to-date.  If you want more information on the band check out www.dogmoonhowl.com or better yet, buy the CD here.  There’ll be a blog about the band’s plans for 2015 coming soon – in the meantime here’s the first video from the album, Blues Like a Hammer.


This and that.

Been a while, so here’s an update:

Recorded the Dog Moon Howl album in January at The Boathouse in Alloa, started mixing it and then came down with the mother of all eye infections which was supposed to clear up in a fortnight but went on for over two months, becoming increasingly debilitating due to seriously affecting my vision.  Seems to have left me with some permanent problems in that regard, too.  Oh well.

Anyway, had to cancel gigs and the likes but since then have played a solo set at The Vagabond Social Club in Glasgow and a duo set at Record Store Day in Stirling (@ Europa Music), both of which went down rather well thank you very much.  Finished the mixes on the DMH album, getting the masters completed just now, and starting work on the cover art to boot.  Looking at a June release.

Actively booking for the band, the duo and myself so more live dates to be confirmed soon.  Playing (solo) @ Slouch, Glasgow on Wednesday.  Getting into a whole guitar design/business thing as well, Zentone Guitars, more news as-and-when.

Right, that’s your lot.  Blogging, eh?  Fucking doddle.


Dog Moon Howl update (and a live Craig Hughes Two video).

Work on Dog Moon Howl’s first album is in the mixing stages.  Currently sitting at nine tracks, produced by Alec Pollock of Chasar at his studio in Alloa, it threatens to be rather good.  Release and promotion details will start to get hammered into shape in the next few weeks (current thinking is a May release but that’s far from set in stone) – in the meantime, we have a gig on the books for Saturday, March 22nd with Glitterball Vegas and Traquair at The 13th Note in Glasgow.

I’m currently hitting up festivals and the likes for bookings (solo/duo and DMH) and the first solo booking of the year is for Foakies @ The Royal Oak in Edinburgh on June 2nd. Tying all this together, here’s a video of me and Ally Tennick (DMH drummist) playing as The Craig Hughes Two late last year, from the smartphone of Bryan Campbell (DMH basser).


Winter News Round-up

So, my Mail manager-thingmy isn’t letting me send Newslist emails out anymore.  Fuckity-fuck-fuck-fuck.

Anyway, here’s the main body of what should have been this winter’s newsletter…

The Blues Magazine #10

There’s a full-page interview with me in #10 of Classic Rock Presents: The Blues Magazine and there’s also a great review of the new album in there.  Available now from WH Smiths etc., or order online.

Reaction to the new album

Reviews and reactions to Losers and Bastards are coming in and I’m pleased to say that so far they’ve been overwhelmingly positive.

“A diamond in the rough, with a poet’s soul.”

            The Blues Magazine (UK)

“It’s bloody brilliant.  Not just Hughes’ best, but one of 2013’s.”

            Resurrection Songs (UK)

His lyrics too are a mix of despair and grim humour and on a couple of the songs here he proves himself to be a great chronicler of Glasgow life with one of the songs, Future After All, reading as if it was an excerpt from a James Kelman story.”

            Blabber’n’Smoke (UK)

“…one of the most honest blues albums of 2013, leaving no doubt as to why Craig Hughes has often been compared to some of the past greats including Blind Willie Johnson.”

            Blues Underground Network (Canada)

And check out Charlie Bear’s video review of the album on her first Vlog, which also features some exclusive live footage.

The album entered the Blues Underground Network’s UK/Europe/Australia Top 10 Blues/Blues Rock Chart at No.1 and stayed there for four weeks running! Which brings me, slightly smugly, to some end-of-year charts/critic’s lists:

Blues Underground Network’s Year End Review – Best UK Blues Album : Losers and Bastards

Blues Underground Network’s Top Ten International Blues/Blues Rock Albums – #3: Losers and Bastards

The Third Class Ticket’s Festive 60 – #33: A Strongman and an Acrobat

Resurrection Songs’ Top 10 of 2013 – #5: Losers and Bastards

If you’ve yet to get a copy of the album or fancy giving one as a belated Xmas present (cheapskate!) please do check out my Bandcamp store for CDs and downloads – or download only via CD Baby, Amazon, iTunes and all that good stuff.

The Craig Hughes Two

The final few of 2013’s gigs were good ones.  I had a busy night in Slouch playing on a bill with the splendid Estonian/English trio of Andres Roots/Steve Lury/Peter Piik and last month’s “Craig Hughes Two” debut at the Vagabond Social Club with Ally Tennick from Dog Moon Howl on percussion went down a storm.  Look!  A picture!!

CH204

Dog Moon Howl

Talking of Dog Moon Howl, it’s been a quiet year on the band front for various reasons but we played our first gig in months at Pivo Pivo, Glasgow in November and it was a great night.  We were at Pivo again in December for our last gig of the year (another good one, a very different set to the previous month’s) and are preparing to record our first album in January 2014.  Which, come to think of it, is really soon.

New videos

There’s a video for the album track Everybody’s Got to Cheat and Lie Sometimes, culled from live footage taken by Dog Moon Howl’s Bryan Campbell available for your viewing pleasure HERE.

Also, a live performance of album track Beans and Bread from that Craig Hughes Two debut gig can be found HERE.

Tungstone Guitars

I recently had a meeting with Jordan Campbell of new guitar business Tungstone Guitars.  Something exciting is in the off – watch this space for updates.  In the meantime, Tungstone are just starting up and they have a new Facebook page so if you’re a Facebook sort of a person check them out and give them a “like” and/or follow them on Twitter.

Plans for 2014

Next year is going to be busy on both the live and recording fronts.  I’ll be continuing to play solo gigs but the live focus for my blues/roots stuff will be on the duo with Ally.  Dog Moon Howl will also be stepping up the live work on the release of our first album as mentioned above.  There are a couple of other projects in the offing which will likely happen in the second half of the year – more on those as and when.

So, that’s it for the time being.  Please do keep checking the website for updates, “like” the Facebook page and check out the YouTube channel as there’ll be a lot more content added there over the next wee while.