Tag Archives: graveyard full of blues

Coming Soon: Pennies On My Eyes

As mentioned last post, much of my time of late has been taken up with the remixing and remastering of new/old album Pennies On My Eyes.  This was originally a mini-album from 5 years ago which was released then as part of the split CD Graveyard Full of Blues with Sleepy Eyes Nelson.

The logic behind the remastering is simply that I was never happy with the original release.  For various reasons, I left the mastering incomplete along with alternate takes and whole songs.  In the meantime, despite its limited release – the CD was sold at gigs and from Europa Music in Stirling; the download was only available via my Bandcamp page (with the two halves of the project split up online, so Sleepy’s excellent Build That Coffin of Mine was available separately via Cheap Wine Records’ Bandcamp) – the albumette picked up its own head of steam, garnering a few good write-ups and an award nomination.  My Side of the Veil became a live favourite while Oily Old Rag gained a new lease of life as the Dog Moon Howl song Tenement Porch Dog.

As with my first release, the demo EP Broke, Lonely and Guilty, Pennies… was recorded at my then home studio, the Channel Nowhere Secret Facility, basically a converted walk-in cupboard.  Everything else I’ve released, under my own name or with Dog Moon Howl has been studio recorded and although there is a pleasing rawness to the original version of Pennies…, it sounds just too rough to me.  I was obsessed with pushing the bass and curbing the top end at that time, and the end result is frankly dull.  So, I’ve gone back in, brightened the sounds up, rescued a few additional tracks and compiled them together as a new, album length piece.

Of course, the original tracks remain lo-fi but hopefully with a touch more in the way of clarity and dynamics.  I’ve added a couple of touches I wanted to try at the time but dropped due to looming deadlines.  The three new tracks are Richter Scale for Heartache, which had already been recorded at the time the split CD was suggested although the mix was never completed, Stone With My Name Carved on It, a single-take moody, distorted solo slide guitar instrumental that I don’t even remember recording and No-one Cares if You Die, a banjo tune that started life as something else entirely.  I matched the rediscovered banjo track with an old unused lyric and Bob was quite suddenly your uncle.

The audio masters for Pennies on My Eyes are being completed this week.  Then it’s the turn of the artwork.  As soon as possible thereafter there’ll be a physical release (CD and, it looks like, tape) with downloads available via Bandcamp and from iTunes, Amazon, Spotify et al via international digital distribution from CD Baby.

Watch this space!

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Stuff that’s happening.

There’s been a fair amount of Channel Nowhere activity recently, what with a run of solo/duo Glasgow gigs at The Howlin’ Wolf and Dog Moon Howl gigs at The 13th Note and Ivory Black’s, while music and movie blogs Tapes For My Walkman and Tapes For My VCR have been increasingly finding their feet.   Here’s what’s coming up.

LIVE STUFF

There will be one more Dog Moon Howl appearance (with Jim Dead & The Doubters at their album launch at The 13th Note on December 4th) which unfortunately will be your last opportunity to see the band live this year.  Bassist Bryan Campbell is having a knee operation which will put him out of commission for a while.  I’m a bit fuzzy on the details but essentially I believe he’s having his existing, faulty, knees replaced with cloned gorilla elbows which will be fitted backwards so that he can walk like a mantis.  Exciting stuff, but he will need some recuperation time afterwards, during which he hopes to complete the scale model of Tokyo he is building in his garage for destruction at a later date with his mutant mantis powers.

In the meantime, DMH drummer Ally Tennick and myself will be kicking the arse out of the live thing in our alt.roots/blues identity The Craig Hughes Two, including a turn for our friends at The Vagabond Social Club on September 27th at Nice’N’Sleazies, Glasgow.  For other dates, watch this space, or head over to www.craighughes.net.

STUDIO STUFF

Mastering is the key word for this month.  Work is underway on the remastering of Pennies On My Eyes which was originally a mini-album I put out about five years ago as part of the split CD (with Sleepy Eyes Nelson) Graveyard Full of Blues.  I was never happy with the original master/mixes and, due to running-time constraints and release deadlines – not to mention my rank incompetence – there were a few tracks recorded at the time which were never completed and therefore left off of the finished product.  Well, limited availability or not, Pennies went on to gain a bit of a life of its own.  A ‘fan favourite’, it picked up good reviews, an award nomination, was a Bandcamp staff pick and so on.  As a result, I’ve gone back to the original recordings and completed work on the unfinished tracks while properly mastering the whole project, now full album length.  This will be released in October or November (the original having been unavailable for a while now).

Before that, though, I’ll be working on the mastering of that new album from Jim Dead & The Doubters which is due for a December release.  I’ve heard the mixes and it’s good stuff – grungey, country-tinged rock.

VIDEO STUFF

Last time I did one of these news updates, I mentioned regular YouTube updates which have yet to start appearing.  They will though.  Honest.  Also, towards the end of the year I’ll be laying the groundwork for a documentary project.  More of that closer to the time.