Tag Archives: craig hughes

Checking in.

Look at that, my goodness. 2017 already.

One way or another, this is going to be a very busy year, for me at least.  There are new EPs from both Dog Moon Howl and The Craig Hughes Two due for release over the next few months (details to be finalised for the Dog Moon Howl one at our first rehearsal of the year next weekend).  A series of self promoted gigs, possibly marking the return of the old That Devil Music night.  A limited edition run of “hand stamped” CDs and a similar tape run of my back catalogue.  Regular updates over at the Ritual Objects blog (and this one).  Some other stuff.

I hope you’ll find something in there that appeals.  Keep checking back.

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Life’s being a bit heavy handed with the irony today.

That moment when the exercises you do to keep your constantly-aching-after-35-years-of-guitar-playing fingers working reopen the cut you got when a screwdriver slipped while setting up your guitar. On the anniversary of Hendrix’s death as well.

Life’s being a bit heavy handed with the irony today (“heavy handed”!  Geddit?!). I was going to say I’d slap the next person who tells me they’d “love to be a musician” but I wouldn’t risk it. I’d probably lose a thumb.


Best Laid Part II

Brief update: there will be something of a flurry of Channel Nowhere activity over the next couple of weeks, so you can look forward (or not) to the release of the remastered Pennies On My Eyes on March 11th and a couple of gig announcements for both The Craig Hughes Two and Dog Moon Howl.  Promos will go out for Pennies just prior to the release date and a lyric video for new track No-One Cares If You Die will be up soon on YouTube.

Told you it was brief.


Best laid.

So, 2016 currently looks like this:

My newish album Pennies On My Eyes is due to be released at the end of February.  A completely new “solo” album is planned for the end of year.  Other than that …

The Craig Hughes Two

We kicked off 2016 with a Glasgow gig at The Howlin’ Wolf earlier this month.  We’re looking at recording an EP for release later in the year and hopefully a lot more live work.

Dog Moon Howl

We’re fresh from our first rehearsal of the year which turned into more of a songwriting session.  The new stuff’s sounding promising, lots of AC/DC, Rush and Sabbath nods.  We’re working up some covers as well.  We’re planning on releasing two EPs in 2016, mid-year and end-of-year respectively.

The blogs

Tapes For My Walkman and Tapes For My VCR continue to keep it analogue with a piece on Lemmy, Motörhead and No Sleep ’til Hammersmith HERE and one on Bowie’s Love You Till Tuesday HERE (I hadn’t noticed until just now that both of these “tribute” choices feature the word “till”.  Or that Motörhead had misspelled it) and updates will be more frequent from February onwards.  This here Channel Nowhere blog will also be updated a lot more regularly, largely because of the amount of stuff going on with the label etc.

Other projects

I’ve got my work cut out with the completion of at least one large scale writing project and a documentary thingmy in the planning stages.  There could potentially be a couple of other releases on Channel Nowhere throughout the year.  Watch this space.


Jim Dead Pray For Rain album launch. 13th Note, Glasgow. 4th December 2015

Dog Moon Howl had the pleasure of playing at Jim Dead & The Doubters’ album launch a couple of Fridays ago.  Despite technical problems with guitar effects and unusually crappy onstage sound for The 13th Note, our set went down a treat, Jim and co. played a blinder and a good time was had by all. Thanks to Paul Kerr at Blabber’n’Smoke for posting this splendid review …

Blabber 'n' Smoke

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When Blabber’n’Smoke reviewed Jim Dead‘s new album  Pray For Rain  a few weeks ago we called him a “shamanistic weatherman.” We was only joking, honestly, but of course the album launch took place on one of the filthiest nights of the year, gale force winds blowing horizontal sheets of rain that numbed your cranial nerves. Think his next album should be called “Here Comes The Heatwave.” Anyhoo (as Mr. Dead likes to say) a grand crowd donned appropriate gear and headed to the basement of the 13th Note, attracted perhaps by the prospect of seeing three fine bands and getting a copy of the new disc all for the princely sum of a fiver, one bright spot on such a dreicht nicht.

The bloody weather actually meant your intrepid reviewer missed the opening act, Traquair & the Tranquilizers although verbal reports from the early birds were all positive. We…

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Pennies, Dog Moon Howl, Jim Dead and blogs and that.

So, Pennies On My Eyes will now be released at the end of February 2016.  The audio work’s all done but there was just no way to have the whole thing ready to go by the end of November – as originally planned – and there’s not much point in putting this kind of release out mid-December (or January for that matter).  So, February it is.  As ever, watch this space.

In what’s shaping up to be my last live outing of the year, I’m playing with Dog Moon Howl at The 13th Note, Glasgow, this Friday (4th) with Jim Dead & The Doubters in celebration of the release of their new album Pray For Rain.  I’ve heard it (I did the mastering, come to think of it) and do you know, it’s really rather good. Come along on the night and you’ll get a copy of the CD as part of your £5 entry fee.

Meanwhile, the writing practice continues. Tapes For My Walkman has recently been updated with a look at ZZ Top’s Tres Hombres (HERE) and Tapes For My VCR has just been updated with a review of ’90s bikers-and-explosions flick Stone Cold (HERE).  Please do feel free to give them a look.

 


Coming Soon: Pennies On My Eyes

As mentioned last post, much of my time of late has been taken up with the remixing and remastering of new/old album Pennies On My Eyes.  This was originally a mini-album from 5 years ago which was released then as part of the split CD Graveyard Full of Blues with Sleepy Eyes Nelson.

The logic behind the remastering is simply that I was never happy with the original release.  For various reasons, I left the mastering incomplete along with alternate takes and whole songs.  In the meantime, despite its limited release – the CD was sold at gigs and from Europa Music in Stirling; the download was only available via my Bandcamp page (with the two halves of the project split up online, so Sleepy’s excellent Build That Coffin of Mine was available separately via Cheap Wine Records’ Bandcamp) – the albumette picked up its own head of steam, garnering a few good write-ups and an award nomination.  My Side of the Veil became a live favourite while Oily Old Rag gained a new lease of life as the Dog Moon Howl song Tenement Porch Dog.

As with my first release, the demo EP Broke, Lonely and Guilty, Pennies… was recorded at my then home studio, the Channel Nowhere Secret Facility, basically a converted walk-in cupboard.  Everything else I’ve released, under my own name or with Dog Moon Howl has been studio recorded and although there is a pleasing rawness to the original version of Pennies…, it sounds just too rough to me.  I was obsessed with pushing the bass and curbing the top end at that time, and the end result is frankly dull.  So, I’ve gone back in, brightened the sounds up, rescued a few additional tracks and compiled them together as a new, album length piece.

Of course, the original tracks remain lo-fi but hopefully with a touch more in the way of clarity and dynamics.  I’ve added a couple of touches I wanted to try at the time but dropped due to looming deadlines.  The three new tracks are Richter Scale for Heartache, which had already been recorded at the time the split CD was suggested although the mix was never completed, Stone With My Name Carved on It, a single-take moody, distorted solo slide guitar instrumental that I don’t even remember recording and No-one Cares if You Die, a banjo tune that started life as something else entirely.  I matched the rediscovered banjo track with an old unused lyric and Bob was quite suddenly your uncle.

The audio masters for Pennies on My Eyes are being completed this week.  Then it’s the turn of the artwork.  As soon as possible thereafter there’ll be a physical release (CD and, it looks like, tape) with downloads available via Bandcamp and from iTunes, Amazon, Spotify et al via international digital distribution from CD Baby.

Watch this space!