I’ve been meaning to write a post on Dog Moon Howl for a long time now and although various snippets have made it into my WordPress ramblings I’ve never quite gotten round to it. So, here’s a potted history of the band.
Dog Moon Howl was formed in late 2011. I’d been trying to put together a heavy psych/stoner rock type band for a while when my old mucker Bryan, who’d been living in Ireland, moved back to sunny Scotland. Bryan also wanted to put a band together, would I be up for it, aye. We’d been kinda-sorta in three bands together in the 90s, most conspicuously a three piece called Smotherparty. We advertised for a drummer with an ad quoting a comprehensive list of influences including – but not limited to – Black Sabbath, The Groundhogs, Jimi Hendrix, Led Zeppelin, ZZ Top, Funkadelic, SAHB, Primus, Blue Cheer, Thin Lizzy, Soundgarden, Status Quo, Motorhead, RHCP, The Cult, Rush, Kyuss, AC/DC, King Crimson, Queen and Hawkwind. Who should express an interest other than Smotherparty’s old drummist, Ally, who we hadn’t seen since that band split and who was now living in Edinburgh.
Sorted. Ally on drums, Bryan on bass/co-lead vocal, me on guitar/co-lead vocal.
We rehearsed a fair old bit, played our first gig at the end of 2011 and a few more throughout 2012 and 2013. Somewhere in there we released a demo EP called Strip-Lit Hell, produced by Tommy Duffin of Headless Kross at 16 Ohm in Glasgow. Much to our surprise, the EP picked up great reviews online.
Some of you reading this will have arrived at the blog via my music which you’ll therefore know to be rootsy alt.blues. Mostly acoustic slide guitar, the rockier moments gnarly and loose, soloing kept in check where it happens at all, mostly song-based stuff. The occasional banjo. Well, Dog Moon Howl is largely the opposite of all that. As a band we all get different things out of it, of course, but for me it’s more-often-than-not an excuse to crank up the electric and have at it. Very much a lead guitar-based, heavy rock approach with long songs allowing plenty of scope for extended soloing and the likes. So, you know. Be warned.
Early this year, we decamped to Alloa to record our first full-length with Alec Pollock of Chasar co-producing at his studio, The Boathouse. Delays in post-production, combined with/partly due to my coming down with a debilitating eye-infection, left us largely out of action until the album’s launch at the end of June, since when we’ve been playing around and about to promote it. Again, we’ve picked up some great reviews for the album.
So that’s you about up-to-date. If you want more information on the band check out www.dogmoonhowl.com or better yet, buy the CD here. There’ll be a blog about the band’s plans for 2015 coming soon – in the meantime here’s the first video from the album, Blues Like a Hammer.